#I Mean Not Really

[pengold]

Francis Mosses, the "Milkman"

.

Headcanon is just that he is legit a serial killer.

[ecoterrorist-katara]

“Katara deserves a quiet life after the war, so becoming a healer (who made no contributions to the field) is actually a good arc!”

It is already bizarre to me that in ATLA, Katara is this confident & combative & ambitious girl who LOVED to fight and wanted nothing more than to help as many people as possible…then comics!Katara and TLOK!Katara showed neither her previous personality traits nor a career commensurate with those traits…

but it’s even more bizarre to me that ATLA fans would defend her trajectory as if it were some kind of progressive story of recovering from war trauma.

I’ve seen multiple takes like this. “Katara is not a YA heroine, she’s not a bloodthirsty girlboss who loves fighting so it’s actually a good thing that she doesn’t have to fight anymore” “after everything she’s been through she deserves a quiet life and a loving family”

For Katara, fighting in the war was actually empowering. It didn’t burn her out. It didn’t disillusion her. It didn’t take more out of her than she can give. Katara is not Katniss Everdeen, who needed to step back and discover her own agency and a sense of peace after fighting in a war she never chose to start. Katara’s war trauma largely happened before she took an active part in it. After she chose to be a part of the war, she became a waterbending master, made close friends, found her father again, got closure for her mother’s murder, defeated the Fire Lord, and met the love of her life. If Katara were a real person, maybe she’d be traumatized, but nowhere in the text of ATLA does she exhibit the sign that she’s tired of fighting on behalf of the world. If anything, she just got started.

If you take her post-ATLA arc at face value (vs as bad writing), it’s a tragedy of a woman who has learned to minimize her own relevance and her own power. In The Promise, she begins deferring serious decisions to Aang. She doesn’t even express a strong opinion about the fate of the entire colony of Yu Dao, or the fate of her friend Zuko. In North and South, she accepts Northern encroachment of the South in the name of progress. In TLOK we see her not as a politician or a chief, but rather as “the best healer” — albeit one who apparently never established a hospital, or trained acolytes of her own, or done anything to help people at scale, which she has always wanted to do. It’s even more egregious when you remember that in Jang Hui, she was not satisfied to simply heal the sick as the Painted Lady. She wanted to solve the root of the problem, so she cleaned the river and committed full-on ecoterrorism. Just because the war is over doesn’t mean she wants to stop helping people. In fact, the problem she addressed in Jang Hui is exactly the type of problem that would become more prevalent after the war ends, judging by the rapid industrialization between ATLA and LOK.

In the original ATLA, I think Katara is about as close to a power fantasy as you can get for a teenage girl, because she gets to be messy and goofy and powerful, even though she also had to perform a whole lot of emotional and domestic labour. But post-ATLA, she doesn’t get power and she doesn’t get to make a change. She gets love and a family. That’s it. And her grandkids don’t even remember her. Her friends and peers, on the other hand, were shown doing all sorts of super cool things like, you know, running the world they saved.

It’s not feminist to say that a female character deserves “rest” when she’s shown zero inclination that she wants a quiet life. Women who want a quiet life deserve to get it — I think Katniss’ arc is perfect — but women who want power deserve to get it too, especially when they’re motivated by compassion and a keen sense of justice. There’s nothing feminist about defending the early 2010s writing decisions of two men. Like just admit that they fucked up! It’s fine! Maybe they’ll do better in the future!

[piowasthere]

4. healer

[prompt list by mossypidder]

[lucent-roase]

my brother told me that it would be cool if Willow had plant hair and i said yeah that would be cool

she has a hat

[windybluebelles]

Guys where tf did Stephanie Brown grow up. Like. Canonically???

Cause the only thing that comes up when I google it is ‘the suburbs’ and ‘the perimeter of the city’ and I’ve read a lot of fics that say she was from Crime Alley which I’ve been told is false.

I’ve seen quite a bit saying that maybe she’s from the narrows? Which makes sense to me being that it’s the main poverty area of Gotham and I think it’s canon that her parents didn’t have much money (saying as her dad was a criminal)

I haven’t read enough official comics to be certain tho so if anyone has any more insight I’d be grateful

[everest-is-dead-now]

“No one quite mourned like Omega ghoul…”

[from my fic titled Mourning]

gotta be honest i hate how this turned out but ill be damned if my time spent drawing mindlessly in my Charles Chestnutt class went to waste

buy me a kofi <3

[avianii]

@calkale ok so I have no clue why my house has a concerning lack of beads but I felt like showing off my fav pair of converse ever today :D

[crippling-pages]

reasons to ship Tiana (tam and biana) <3

@innereverblaze You asked to be convinced on which ship (Tiana or Dexiana) you should ship, and I am here convincing you to ship Tiana. This is also there for anyone else wondering why I ship Tiana or why YOU should ship Tiana. Thank you.

*cracks neck* Okay lets do this

Tiana is the pairing between Tam and Biana, and their ship is AMAZINGGG. These are just a few of the tropes in their ship

Grumpy/sunshine

Opposites Attract

Emo/Bright

Introvert/Extrovert

Popular/Outcast

These are their main tropes, though there are a ton of other smaller tropes too! (Ex: Rain/Sunshine, Sun/Moon, Talks A Lot/Will Listen (for me, I hc that that one can go for both).

Moving on to moments in the book; it's a fact that all the boys (Dex, Keefe, and Fitz) had/has a crush on Sophie. One after another, they each picked Sophie. All three of them. But, when we meet Tam, instead of falling for Sophie like the others, he notices Biana. The moment being when Keefe says, "The Foster Fan club is closed" or something like that, Tam blushes says he isn't interested, then proceeding to glance at Biana,which shows that he may be interested in Biana, not Sophie. He doesn't like Sophie right away like the others did, he sees Biana and he likes Biana. And Biana has always had a problem, not being noticed or seen. She was the 3rd child of a famous family; Alvar was the oldest and already doing great things (to their knowledge), and Fitz was a super powerful Telepath. And she was just Biana, at the time. When people saw her, it was for her status or her brother. And when Sophie came along (wanna be clear that I'm not blaming Sophie; forever a Sophie stan), everyone started to talk about Sophie, including her own brother and former crush. Now it seemed like one of the few parts of recognition she got was given to Sophie, the mysterious and multi-abilities girl with humorous talent, and everyone was thinking about her. And then we meet Tam. Like I said before, Tam takes interest into Biana. Before the crew officially meets Tam and Linh, Tam contacts Biana this time, to contact the others. He could've chosen any of the others, expect he chose Biana. And since then, he's always been Biana > Sophie.

And Biana does similar to Tam. When Sophie and Fitz go to visit Tam and Linh in the beginning of the book during Lodestar, they come back and Biana complains, saying that they were lucky and this implies that she wanted to see Tam again too. Later in the book, when Sophie, Dex, Fitz, and Biana go to visit Wylie, they spot Tam reading in the sitting area, and Biana changes her mind and goes to sit next to Tam. She smiles, and then says, I quote, "Plus, I haven't seen you in forever!" Note the fact that she says "you," not "you and Linh." Biana was excited to see Tam again that she decided to say there with him instead of doing what their original objective was. Tam replies to this, smiling shyly. After all, no one has ever wanted to be with him before. He was a twin and a shade as a child, and both were taken as bad things, so he probably was very alone as a child, with no friends or anyone other than Linh to talk too. But now, he sees Biana wanting to talk to him, choosing to sit down and catch up, saying upfront that she missed him. None of the other people in the group have really directly talked to Tam before (for the whole series, if I may add) that isn't for Neverseen or Black Swan related purposes. Continuing on, Tam replies to Biana (again, smiling shyly), "I hear we'll be seeing more of each other soon." (That could be recognized as flirting but I don't think Tam knows what flirting is during this moment of time so it's probably not). This suggests that he is actually excited and eager to see Biana more often, and as we know form Tam, he doesn't that excited often. From these moments and interactions, we can confirm that both Biana and Tam, ever since first meeting, find interest in each other and want to learn more about the other and want to see each other more, are are excited when they get to be together.

There are another handful of moments in Lodestar between them, but there are two more that stand out to me the most. (Three, technically). One is the oh so famous scene when the group is at the Exilium training area, and they're talking about Marella, and the Biana points out that Marella is staring at Tam. There are a few other comments by the others. Tam himself is surprised, by this, and simply says "Okay" and lets the topic go. Biana, however, does not. She says something along the lines of, "Okay? That's it? That's all you have to say?" implying that she's shocked that Tam doesn't have another say on this, and he starts blushing at Biana questions, since they hint that she's eager to know what he really thinks. This can also be seen as possibly jealousy; She sees Marella staring at Tam, and giving him a flirty smile; she'd want to know if Tam finds her cute in return, or that he might be interested in her, and the thought of that makes her jealous. Tam is saved from responding, because Linh speaks up and says "He doesn't like her. He likes brunettes." She says this smirking, and directing it at Biana. This may mean that she's trying to subtly tell Biana that Tam finds her cute, or pretty. Tam then says, "Gross, why do you know that?" Note that he isn't denying it. He isn't saying that he doesn't like them, he's asking why Linh knows this. Linh then says, "Because you aren't as sly as you think you are." This could mean that Linh has noticed how Tam acts around Biana. She noticed how he looked at her in Neverseen after being asked about joining the Foster Fan Club, then denying it. Maybe Tam has looked at Biana other times that weren't noticed by Sophie, but by Linh.

Another moment is when Biana tells Sophie that she and Tam found something in the Silver Towers. Sophie asks what she meant by her and Tam, since to Sophie's knowledge, only Tam was was working there, and Biana explains that she went to visit Tam early that day. This suggests that Biana wanted to see Tam again. As I said earlier, Biana was and is eager to see Tam again, and this is another moment being proof of it. Along with this bit, Tam had to spend hours in the Silvers Towers per day, so that means that Biana got to spend hours alone with Tam, and they probably had learned much more about each other and had gotten closer. Later, when they're in the Silver Towers, Biana says to Tam, I quote, "Go on. Show them how cool you are." Tam blushes at this. As the statement says, Biana thinks Tam cool, and that matches up with Biana wanting to spend more time with him. This is also another time Biana has complimented him (she once complimented him about his ability in Neverseen ,calling it an 'anti-vanish'). Tam is insecure about ability, hence likely being judge a lot as a kid and his parents being disgusted, and with Biana constantly telling him its impressive and cool, he starts to feel less bad about it and left insecure.

There are a few more moments in Lodestar, but for now I shall be moving onto Nightfall, quite possibly the book with the most Tiana moments, and I'll be doing them in bullet points so I don't have to write anymore paragraphs so it'll be easier for you to read. (Hence there are a lot, we'll be doing the biggest and my personal favorites)

Nightfall Moments (With page numbers)

On page 217, when Forkle takes about sending Tam and Linh back into Foxfire, Biana squeals and gets excited, saying that they'd see each other more, hang out during study hall and team up in PE. This is another moment showing that Biana gets happy and excited at the thought of spending more time with Tam.

Page 384, when Sophie, Fitz, Tam, Biana, Livvy and Grady are in the Forbidden Cities, Biana points out that a bunch of girls are staring at Tam. This is similar to what she did when Marella was looking at Tam.

Page 387, Biana tells Sophie that she and Tam didn't find anything in Candleshade; Candleshade is big, with hundreds of floors; it would take hours and many days to search, so that would mean that Biana and Tam would have spent even more time together, just the two of them alone. Again. Multiply times. During these times, they've definitely have gotten much closer and know much more about each other. (At this point, I feel like they've definitely gotta a crush on each other.)

Page 397; when Biana, Sophie and Tam are talking about what they should wear when sneaking into Nightfall, Sophie says "What about Tam?" and Biana replies saying that he'll be alright if he "ditches his shirt." This implies that Biana wants to see what Tam looks like without a shirt on; this is also likely Biana subtly flirting with Tam. Tam is embarrassed, and says that he'll get cold, ever the oblivious.

Page 442; Marella says that Biana is possessive of her brother, and Biana replies that she isn't possessive, and that she doesn't like it girls use her to get to her brother, since to them, Fitz is the best looking boy in the school. She then says to Tam, "Linh must know how that feels." And that suggests that Biana thinks that it is very good looking, or just as good looking as Fitz, and that a lot of girls would go up to Linh because they would want to get closer to Tam. This again, could be Biana subtly flirting.

Page 447; I feel like people sleep on this one a lot. It's when they're trying to figure out where to put Alvar after finding him in Nightfall. Tam says that Choralmere could work, since it be unexpected and the Neverseen wouldn't expect it. It's basically Tam subtly saying to Biana "I'll bring your almost dead brother to my abusive home for you even if I really don't want to go see my parents and house again but it okay because your more important and I care about you."

Pages 451-452; Possibly the most underrated Tiana moment in the series, and it's when Tam and Biana talk about the the cruelty of Tam and Linh's parents, and what their parents did to the them. Biana brings up how screwed society is, and how she feels bad about how her life is/was almost perfect, and that it's that way because of the "Vacker Legacy." She said that she wished she could like others in bad situations, like in the one Tam and Linh were in. Tam comforts her, telling her that she doesn't need to feel bad, saying that it wasn't her fault. He said that she didn't know how bad the world was, that not a lot of people do. This makes Biana feel a lot better, thanks to Tam. (Not gonna lie, Sophie third wheeled in this scene.)

Page 457; Another minor one, but while they were talking about Alvar, Biana's eyes start to tear up and she moves to go look at the portrait of Tam. She was in a room full of art, with many pieces and decorations, yet she decided to look at the painting of Tam.

Page 474; This is my favorite moment in the series (I made a post about it, you should check it out!). It's when Tam stops and notices that his portrait was re-painted, and Biana says that she did it. It shows how Biana disliked the portrait, and that she didn't believe it represented Tam right. Even though it wasn't hers, and that it belonged to Tam's mother, she spent time and repainted it. I feel this says a lot about what Biana thinks of Tam. (It was basically was: Biana: *repaints the picture of you your mom made because I didn't like it and because it wasn't truly you and you're amazing and should be recognized as you are now not as you were before or like how your abusive parents see you as*). Physic/Livvy also says "not to spoil the moment" implying that Tam and Biana were having a moment.

There are a few other, smaller moments in the book, but these are the biggest and main moments. To my memory, Flashback has two moments and they're minor, but still say a lot.

It's when someone says that Tam should look in Everglen for clues and stuff, but Fitz says that his parents might not let him because of Alvar. Tam replies saying, "Don't worry. Biana would let me in." That means, despite the Alvar situation, Biana would still let Tam inside Everglen to search around. She also decided to help him.

Around the end of the book, when they're fighting the Neverseen, Umber shoots an arrow of shadowflux at Biana. Not Linh, who we knows means a lot to Tam. Not Linh, who Tam would sacrifice his life for. Umber didn't shoot the arrow at Linh, but at Biana. This could mean that Umber sensed how much Biana meant to Tam, and that he might've cared for her as much as he did for Linh.

Flashback was more of a Sophitz/Sokeefe book, so there wasn't a lot. Moving on to Legacy, there were a surprising about of moments, despite Tam not even being there. (Note that I haven't read Legacy, and that it's my least favorite book in the series, followed by Stellarlune.) I don't remember much from Legacy, but I do now some vague moments, but otherwise these won't be that good and that accurate.

Biana has mentioned, a handful of times, about getting Tam back. When she can, she brings up Tam. This means that even when he's not there, she thinks about him.

There was a few scenes in the book where Biana says that she misses Tam.

There's this one scene, and it's when Sophie and Biana are talking, and Sophie's "Happy Shadow Thoughts" t-shirt is brought up. Biana says how she really wanted to get one. This suggests Biana saying that she wanted to have the shirt because it was about/related to Tam. (She trails off, after saying that she wanted a shirt of her own, a look of longing and sadness appear son her face.) Biana and Sophie also talk about Tam's kidnapping, and Sophie comforts her.

After everyone walks up from being knocked out during Keefe's transformation, Sophie says that Tam will help them, and when Biana wakes up, the first thing she says is "Tam?" Since we already know that Biana missed Tam a ton, one can only assume that one of the first things she did after Sophie left was go and hug Tam...

And that's that for Legacy. (I swear that only good parents in Legacy was when it was about Tam).

Moving on, we have Unlocked and Stellarlune. Unlocked has this one moment (though it is a VERY important one), while Stellarlune doesn't have any Tiana (or Dexiana) moments. Let's do Unlocked.

In Unlocked, on page 676, Fitz teases Biana for rushing up the stairs to Solreef. He says that "she's dying to see Tam" and then stage-whispers to Sophie "My sister' a fan of silver bangs." While this is two facts for the price of one (that Biana missed Tam a whole lot, and that Biana finds Tam cute and likes his bangs), what Biana says next is "Really, Fitz? You want to talk about crushes?" And this is important, because Biana, sweetheart, when the hell did Fitz mention ANYTHING about crushes??? Hmm? When?? *proceeds to jump up and down because this literally confirms that Biana has a crush on Tam* (Biana also then blushes bright red after what Fitz said, and I quote from Sophie, "which was either embarrassment or confirmation. Or both." And we all know that when an author says "or both" 98% of the time, it is both.)

And that is that. All (almost all) of the Tam and Biana moments in the series, along with in-depth analysis for each.

Furthermore (yes, I'm not done), let's talk about the characters themselves.

Tam's character is shown as the stoic, quiet, and 'emo' character (he isn't actually emo, though. He's just seen that way because of stereotypes). Biana is the sparkly, bright, and the princess of the series. Their opposites. But they also have a ton in common!

Both have siblings (trust me, you can relate about siblings)

Both have expectations from society and their parents

Both have once been hated on (Biana with the Alvar situation, and Tam... in general.)

Both are underrated and underappreciated people.

Both can be snarky at times.

Both are stereotyped (Tam being a Shade and people automatically assuming he's evil/not a good person; Biana being a spoiled princess because she's the daughter of a powerful family.)

Both are important and valuable people.

Literal icons. They're so icon.

BAMF duo.

Traumatized.

There are other kinds of similarities between the two, but these are the main ones.

Either way, both would bring out the best in each other. Biana's brightness would bring out Tam's, and Tam would help Biana become more confident with herself. They would help each other with their trauma, comfort each other, and just help each be the best they can be. Tam would be able to talk to her about the Neverseen, and his parents, and Biana could talk to Tam about her scars, and Alvar. They even each other out and help each other be better. All in all, they're good for each other and would make each very happy.

And finally, here are some my Tiana headcanons to show you how cute they are <3

Biana buys Tam bouquets or flowers. One time, Tam mentioned that he liked flowers, and the next day, she arrived at Solreef, blushing a very bright red, and handed Tam a bouquet. Linh had to deal with a happily dazed and swooning Tam for a full 15 minutes.

They have movie nights at Solreef. (Solreef has a mini theater for when they watch human movies.) They'll cuddle up on the couch together, laughing and having fun, and falling asleep.

They are the MOST competitive people you will ever meet. On their own, they're competitive, but together, oh boy is it dangerous to be on the other side. Almost everything is a competition. Sometimes they've had to sit out in Base Quest because they made it too much of a deal. Sometimes the crew does Tam and Biana vs. Everyone else (Tam and Biana almost always win).

Tam's ticklish. Like, really ticklish. Biana's one of two people who knows (the other is Linh, though she doesn't really acknowledge it anymore) and she 100% uses it to her advantage. If she wants to go shopping but Tam's being a bit lazy, she'll just carefully graze her fingers on his side... Or sometimes she just wants to see Tam laugh. It makes her feel good. She loves him laughing, and smiling, and giggling. She gets all warm and fuzzy inside. ...Or when she's just bored.

Tam designs and makes clothing for Biana. (I headcanon that he's obsessed with clothing and fashion, like Biana is.) After Biana got her scars, he promised her that he'd show her that they can and are beautiful. A few weeks later, he comes to Everglen, and hands Biana one of the most gorgeous dresses she's ever seen. It was because of seeing how beautiful she looked in the dress did she start realizing that her scars were a part of her now.

Physical touch is probably their biggest love language. Like, no matter where they are, they need to be in some kind of contact. Walking in Atlantis? Arm around waist. Black Swan meeting? Hand holding. Lunch with the crew? Hand on knee/thigh.

Tam has very unnoticeable freckles around his cheeks, and sometimes Biana will just stare at Tam from across the room, counting them. (To be fair, she'd stare at him either way.)

Biana gives Tam a ton of compliments. He's never really been complimented as a child, or even now, so when they start dating, Biana's 10x more open about complimenting Tam. She'll start casually calling him "pretty" or "amazing" or "literally the best person in the entire world" etc etc. And since Tam isn't used to it, he almost always gets all blushy and shy and giggly about it.

Every time Biana hears Keefe joke about Tam being 'shady' and 'darkness in the flesh' she's smirking to herself because the Tam she knows is literally the cutest, funniest, and most adorable thing she's ever seen.

Tam's 6'2 and Biana's just about 5'5 (when they're completely grown). Tam teases her about being short.

Tam takes Biana out on dates in Atlantis often. He knows how much she loves shopping, so they'll go to a few shops and look around, and he'll get her a few things.

They're the biggest on cuddles. It's the most important thing EVER to them. They won't (intentionally) do it when others are around. Neither of big fans of that much PDA. But when its just them, CUDDLES <3

Tam's ace, so kisses are rare coming from him, and it makes Biana flustered. Sometimes, he'll kiss her just to see her blush.

They secretly date for the longest time ever, and at one point, they just don't care anymore and are way more open about their relationship in front of everyone. And obviously, they don't tell anyone about the sudden switch, so everyone's like "??? What??? When did they get so close??"

They love each other so freaking much and I ship them so hard I could EXPLODE

And you have it <3 Why I ship Tiana, and why YOU should too <3 thank you.

(tagging because I can): @keefe--sencen @swans-chirping-in-the-distance @frizzle-mcshizzle @theleopardstalker )

[securitycapecreature]

Reblogs are greatly appreciated!!

[books-and-omens]

apropos of... kind of everything

remember Neil Gaiman’s sonnet?

I don't think that I've been in love as such, Although I liked a few folk pretty well. Love must be vaster than my smiles or touch, For brave men died and empires rose and fell For love: girls followed boys to foreign lands And men have followed women into Hell. In plays and poems someone understands There's something makes us more than blood and bone And more than biological demands... For me, love's like the wind, unseen, unknown. I see the trees are bending where it's been, I know that it leaves wreckage where it's blown. I really don't know what "I love you" means. I think it means "Don't leave me here alone."

[lar-arts]

"Somehow, that Itadori boy is more unsettling now that when he had that curse inside him..."

No actually yuuji consumed Sukuna and now they live as one. Yes, Gege told me, it is true

[ermm-what-the-alpha-theta]

Guys what if the ending is that they live in the cottage and are happy but are p-p-PLATONIC? GUYS UHM GUYS

[incorrect-ironwidow]

Qin Zheng: I’m just trying to make the world a better place! Or at least a place with slightly more interesting headlines.

Click here to join our Iron Widow server!

[garbagechocolate]

WHAT THE FUCK.

FNAF ANIME REAL????

22 minute long video that's just daycare shenanigans oml

Oops sorry forgot I made the drawing

[thatbivthbcj]

ever had such a bad hedake that u jst wanna crush and snort the painkiler pills?

[suffersinfandom]

A Summary of The OFMD Meta

Sooooo... this is part one of an incomplete summary of A Meta-Discussion Of The Subtext by meratrishoslee (Mera) on AO3 (linked to, as the author requests). I hope it’s helpful to the folks who’ve been curious about it -- heyooo @fahbee and @pushbuttonkitty -- but maybe not quite 90K-words curious! I’m not going to comment on anything; this is meant to be an impartial -as-possible summary.

It's massively long, so this is just the first eight chapters.  

“There’s every possibility you are still in your feelings as you read this, even weeks after the finale. You are in your autonomous knee-jerk reaction, adrenaline-spike, slapped across the face, feeling-so-betrayed-right-now moment. You’re valid. That’s absolutely what’s happened… on the surface. But as you take a deep breath and begin to examine logically what’s in the show and engage with the material both in its text and subtext, you will see a new concept begin to take shape.” (Mera)

Chapter 1: Overview

Some background: Mera was involved with The Johnlock Conspiracy and believes that TJLCers weren’t wrong. (If you want a fun watch, I recommend Sarah Z’s YouTube video.) Essentially, TJLCers believe that Sherlock and Watson of BBC’s Sherlock were supposed to be endgame, and this can be proved with careful analysis. This is often paired with the idea that there is a missing fourth episode to the show’s fourth season that will eventually air and confirm all theories.

Mera defines ‘text’ and ‘subtext.’ Text is “dialogue lines / Shot choices and directions / Visible actions, describable as stage directions.” Subtext is “every single other thing, as well as what is suggested by or can be inferred from the text above.”

“Whenever something doesn’t make sense in the text, it is a BEACON (or maybe even a LIGHTHOUSE) to look at the subtext. Your subconscious mind recognizes subtext long before your conscious mind parses it -- assuming it ever does.”

The rest of the chapter is devoted to short descriptions of Mera’s key assertions with links to relevant chapters and their convention experiences. They cite talking to Con O’Neill at Florida Supercon 2023 as one of their reasons for believing so strongly that Izzy Hands is alive:

I asked him for advice in a specific time of trouble, and he gave me something real that had worked for him. I asked for a hug and he gave that also. 

As I was pulling away I said "I’m glad that I gleaned one absolutely true thing from your portrayal of Izzy." 

“What’s that?” 

I said: "The character (in my original work) that Izzy inspired – when he’s out of pain at last, it’s impossible not to love him." 

That seemed to hit him on an emotional level; he couldn’t hold my gaze after that.  He said “That’s what I’ll be taking with me today.” 

This was July 1st 2023, after completion of the filming of Season 2.  I've thought about it often as the season went on, and how it must have affected him. 

We have to love Izzy so that he'll live.

Mera spoke to Con again at NYCC:

The last thing I managed to get to say to him was: "They gave Izzy Hands a Passion Play." 

"They did?" he asked. 

"Yes, they did!" I replied. 

And I watched that brilliantly swift mind again at work, because he considered it for the briefest beat -- and said in a tone of joy: "They did; yeah, you're right!" 

I remember for the minutes and hours after I was amazed: did he not know, somehow? Did the writers not tell him (and he didn't realize at any time since) that in first quarter of the series they'd given him Gethsemane, a betrayal, a crucifixion (okay, getting shot in the leg and head, but don't get stuck on the details), a burial, and then a full on canonical resurrection?

Con then said another very important thing:

"But I got over it." 

[...]

If Izzy's dead (for real and forever dead) and he knew it, then what he said to me was on a level of cruelty that I could never countenance from him. If Izzy lives, then those words are yet another piece of proof to me that Con was clever enough to be right both for someone who'd only seen five episodes, and someone who would eventually see all eight. 

Chapter 2: The Cup and Ball Trick

The chapter is an extended “game” of cup and ball (where a ball is hidden under a cup and the guesser needs to determine which cup it’s under) interspersed with pictures from OFMD at various points in season two. It ends on a shot of Izzy’s grave where his body definitely isn’t.

The important takeaway: Izzy returns from the dead once to shoot Ed during Ed’s final suicide attempt. Ed returns from the dead after the near-fatal mutiny. Why would you think Izzy’s actually dead and in his grave at the end of the show?

“I didn't cry at the finale -- I was too filled with joy and excitement. I was Mary Magdalene at the grave; I was one of the first to know the truth of the resurrection, whether or not anyone believed me!” 

Chapter 3: OUR LOVE MEANT DEATH

"..because if [Izzy] doesn't [live], with what I know now, his death is a cruelty struck at every queer individual alive or dead since 1981.”

Mera observes that almost no one touches Izzy’s bare skin and Izzy bleeds more than any other recurring character.

There are two times someone touches Izzy’s bare skin: first when his screams are being muffled when he yells at Jim and Archie to kill him, second when Ed puts the gun in Izzy’s ungloved hand during his first go at suicide.

Conclusion: "Izzy is coded with AIDS.”

Ed holding his bloody hand up to the rest of the crew away when Izzy is dying is a “warding-off gesture.” 

Izzy is pale and sickly-looking as he’s dying. “My gorge rises. In the year of our Lord Shiva 2023 -- THEY GAVE THE MOST QUEER CODED CHARACTER ON THE SHOW A FUCKING AIDS DEATH.”

Izzy touches someone else’s bare skin twice in the show, and both instances are Ed. The first is in S1E10 “where he puts his left Death-marked hand on Edward's wrist as he's choking him.” The second is in S2E8 as he’s dying “in his ex-lover’s arms” (notably, this is the same hand with the spade tattoo).

“If Izzy's well and truly dead, for real and stays dead... He is in media both the first historically and the most recent chronologically to receive a full on AIDS death.”

“Until they prove to me and all of us that only Izzy's grief and the specter of AIDS remains in the grave -- and the rest of our beloved boy, our new unicorn (oh hey do you know what Problematic Modern Culture says about unicorn blood?), our pure-hearted risen being, our self-sacrificing queer man, will get his chance to be touched, held, kissed, and LOVED in Season 3.”

Chapter 4: “The Third Was For Death”

“Season 1 was Pinocchio: a wooden puppet wants to become a real boy -- and does!  Hip hip hooray; that was pretty easy.  Wow, the cute tall young guy of the crew lost a finger and the mean nasty short grouch that some people hate and some people like (because they understand him on a visceral, subconscious, subtextual level) lost a toe -- but if that's the worst that happens, we came out okay!”

Season two is “The Monkey’s Paw.” Mera tells the story with pictures from OFMD to emphasize the connections. Importantly, there’s an instance of a couple’s son coming back wrong after a wish (Lucius). The final wish returns the son to his previously-dead state and Mera ends on a picture of Izzy’s grave.

The cast’s and crews’ interviews might not support the real narrative because they’re not allowed to say what they want to (“Ever had to develop code language to hide your queerness from your parents, your teachers, the state?”) They’re all “in distress” and trying to tell us without telling us. 

“Why does the new (old broken down) house smell like death? Why does everything we wished for that we got feel bad? Why does everything we're supposed to be happy about feel sad? How long would it take YOU to spot someone blinking out the word T-O-R-T-U-R-E?”

Mera hopes that the next season won’t tell us certain a new story: George Orwell’s 1984.

Chapter 5: Where Were We? Oh Yes, In The Pit Of Despair

This chapter is about The Princess Bride as it relates to Izzy’s story in seasons two and three of OFMD. It’s a comparison based mostly on costumes and lines; there are no one-for-one character comparisons. Vitally, the plot of TPB is used to predict the next season of OFMD. 

Season two of OFMD ends at the part of TPB when Westley is thought to be dead (Izzy in his grave). Westley is revived, soooo…

“At what point does a preponderance of evidence flip over into fact? At what point does a handful of chance coincidences become planning and architecture? At what point do you go beyond a reasonable doubt into conviction?”

Chapter 6: Birdman and Blackbeard: Or, How To Watch Media

This chapter is about analyzing media. Once you learn how, you stop being a passive watcher.

“Instead you read its rhymes and rhythms like a sonnet. You go to the media in return – you meet it halfway, like a lover. You engage with it. You find themes embedded in the subtext that, once unearthed and examined, continue to inform and expand your experience of the text.”

“The people that like things nice and easy are the ones that watched the finale of Season 2, got angry and upset and – instead of examining those feelings and sitting with them and figuring out why everything felt weird and fucky – wrote it off as bad writing and cruel showrunners, and are already onto the next piece of media to pour into their open eyes and ears.”

And that’s fine! But if you like to think, you interrogate the media and see what else it’s saying.

Mera summarizes The Hero’s Journey through the lens of Orpheus’ story.

Season two mirrors season one almost too well. “...Why are they recreating their first season almost beat by beat? Why is this “second verse, same as the first – only a little bit louder and (in many cases) worse? Then Episode 8 hit… and I realized. They wanted to make sure that, in every conceivable way, the fans had a subtextual map of the meaning of Episode 8. So the mirrors between seasons had to line up almost exactly.”

Now we go into the three-act structure and how the hero’s journey maps onto it. Mera then uses Birdman or (The Unexpected Virtue Of Ignorance) and to show how they personally analyze meta, but I don’t care nearly enough about what they’ve gleaned from Birdman to go into it here. You’ll have to go read it yourself if you want their methods.

“Remember: Everything on screen in the finished and published movie is a choice. If something doesn’t make sense on a textual level, it is often a signpost (or LIGHTHOUSE) to look at it on a subtextual level.”

Mera points to an article about three-act structure and notes that “fun and games” is both part of that author’s second act and the title of an OFMD episode. 

“Are we being fucked with? Or are we being instructed?”

Chapter 7: If You Strip Away The Myth From The Man

It’s the Jesus Christ Superstar chapter and it’s massive. I’m only including the most substantial comparisons and points.

Mera starts by linking to a gifset of Con talking about Taika saying that Izzy and Blackbeard are comparable to Judas and Jesus (and then Taika and Con sang songs from JCS while getting their makeup done). Notably, Con didn’t specify which character was which.

Blackbeard is a myth created by (of) two men, Ed and Izzy. “there's always two male bodies involved: Jesus and Judas, and both sacrifice themselves to the cause.”

It’s easy to say that Izzy is Judas, but wait -- there’s a better and deeper interpretation! Look at this picture from S1 that resembles the Last Supper and frames Izzy as Jesus! “Now I finally understood. Sure: Izzy is Judas-coded. That's plain for anyone to see. But Izzy is also Jesus-coded… from the under/reverse side.”

Izzy is Jesus-coded for all of season one (even more than Ed), and the comparison is solidified by the end of S2E3: “Izzy Hands is almost fully and directly Jesus-coded, and after Ed's own resurrection (not as an agape-love self-sacrifice for the saving of others, but through selfish personal/eros love alone) Edward is now obviously the betrayer of the whole crew who is permitted to stay aboard only on terms of sackcloth clothing and uneasy tolerance.”

Judas died by hanging himself according to the Gospel of Matthew. The only characters we see hanging are Ed and Stede, which clearly aligns them with Judas. 

Izzy is a good person. He cares about the crew; Ed never does. When Izzy’s wrong, he fesses up to it and apologies; Ed does not (or when he does, the apologies are bad). “Does he lie?  Yes, ostensibly to protect his captain and crew. Is he fairly mean to the Revenge crew until they [...] become his crew? Pretty much, although I could argue otherwise in places -- especially the fact that while Ed throws Lucius violently and bodily off the ship without any warning, Izzy carefully puts the crew on a safe island with a minor fuckery of his own to keep them calm and happy until he leaves. (It's obviously not Edward's idea, although he does permit Izzy to put himself between the deadly Kraken and the Revenge's crew in order to accomplish it.) Is he selfish? Yes, and who of us aren’t sometimes selfish about the people we love?”

Jesus and Judas have massive amounts of sexual tension (yeah, can confirm). Izzy is Jesus-coded because, while he doesn’t initiate contact like Jesus does in JCS, he’s always looking directly at Ed. Ed is Judas-coded because he has a hard time looking at Izzy and finds it difficult to touch him.

“...If Izzy Hands is a queer man who is Jesus-coded, who we see go through not one but TWO passion plays during Season 2... [near-death after having his leg removed, end-of-season death] he is conquering the death of HIV/AIDS and queer grief. He has to die so that he can vanquish that very real death, and arise again triumphant over it.”

“One direct correspondence with Jesus is that Izzy is convinced of one right way to be (whether or not it actually is), and everything outside of that offends him viscerally at this point in the series.” Izzy is convinced that there’s one right way to be a pirate, and Stede’s fucking that up.

And back to AIDS/reverse-Jesus Izzy: “Now among the lepers we're back to the reversal: no one touches Izzy. He’s desperate for it yet can never allow it. Jesus’s touch, kiss, love cures – and everyone seeks it and craves it. They demand it, they swamp and overwhelm him. Jesus's naked touch/kiss/love cures disease -- Izzy's carries and spreads it.”

“Judas/Edward makes his deal with the priesthood/King George to betray Jesus/Izzy – his price is 30 pieces of silver/Stede’s life.” That is, Ed is the one doing the betraying in season one. 

But the real betrayal happens when he cuts off Izzy’s toe and feeds it to him while he’s vulnerable. Important note for the AIDS stuff: “...Edward puts on leather gauntlets immediately prior to this assault -- he ‘gloves up.’ He doesn't have direct naked contact with Izzy's blood or flesh during this scene.” The toe-feeding scene is absolutely framed as sexual assault.

And the toe thing continues into season two. “Sit with that also for a moment: the faux consent of making Izzy remove his own clothing to bare his body parts for this violation. Is it too far a stretch to think that Ed also made him eat each one, in their own private, gristly sacrament? He did threaten to ‘feed him the rest’ after all.”

Here is the outline of Izzy’s first “passion play”:

Izzy's Last Supper: all the toes eaten before as well as the one threatened now. 

Izzy's Gethsemane, wherein he begs his God for the cup to be removed: he tries to bargain his and the crew's way out with his conversation with Blackbeard, to find an alternative to the self-destructive violence. 

Izzy is betrayed by his Judas (again): shot in the leg for the 'crime' of mentioning Stede Bonnet's name, or Blackbeard's affection toward him. 

Izzy descends into the grave: lays in a secret tunnel in what we can believe is the lowest part of the ship, while rotting enough to be smelled throughout.

 Izzy dies: he shoots himself in the head and both we and Blackbeard believe him to be dead.

Izzy is risen: he hauls himself up out of his own grave without assistance from anyone else, crawls to the main deck, reloads his pistol somewhere along the way -- and shows himself to his followers crew at last, in order to bring about their salvation.

Con himself said that this is a passion play, and it takes up a massive chunk of the first part of the season. You don’t throw something massive like that into a show unless you’ve got something bigger coming.

But Judas dies before OFMD ends (mapping OFMD onto JCS), so now who is Ed? He’s Pontius Pilate. There’s the whipping of Jesus (Izzy’s back scars), then Pilate kneels down to hold the bleeding Jesus in his arms. It’s this specific Pieta statue.

“Izzy has to die to conquer his own living death, to end the curse that has kept him untouchable and unable to be loved as he so desperately desires.” There’s the crucifixion for you. Izzy dies and is buried, and we’re still waiting on the resurrection. 

The last shot in JCS is of the empty cross; the last shot of OFMD S2 is Izzy’s grave. “If the cross in the last and arguably the most significant shot of JCS symbolizes the triumph of resurrection and rebirth... the one in OFMD S2 must also.”

Alex Sherman liked one of Mera’s Izzy Lives tweets that he was tagged in. 

Chapter 8: The Dual Substance Of Christ

Now we’re looking at The Last Temptation of Christ. This is another long and involved one, so I’m cutting a lot of minor things that don’t serve the overall meta. (I also know fuck-all about this movie, oops.)

“An argument can be made (and I will attempt it) that Judas in this instance is not only the show creators/writers room of OFMD who had to put their much beloved boy Izzy Hands through all this agony... but also we the Unseen Crew who adore him, who have suffered alongside him through all he's endured, and who want nothing more than to have him back and whole in resurrected triumph.”

TLTC presents another reason to identify Lucius with Mary Magdalene (and notably, Jesus can’t touch Mary -- because Izzy is AIDS-coded). Once again, there’s an immense amount of sexual tension between Jesus and Judas.

This Jesus is angry and this God is fearsome. Judas does a lot of slamming-Jesus-into-walls, much like Ed and Izzy in S1E10. 

Jesus confirms that he is a heart and he loves, which solidifies Izzy’s position as the heart of Blackbeard. 

In his final trial in the desert, Jesus’ final tempter appears as flames. Izzy and Ed both play with flames when they lie.

“Izzy is pretty much Jesus-coded as I explained in the JCS meta… but here also due to the timing and content of this scene, Izzy’s also Lazarus-coded.He dies, he goes into the pit of the grave, he smells of rot, then he is raised from the dead.” Lazarus and Izzy both have a rough time of being alive again and drink about it. 

Jesus says “I have to die on the cross, and I have to die willingly.” This parallels Izzy saying that he wants to go when he’s dying. Judas doesn’t want Jesus to die, which puts him more in line with Jenkins and company than any characters.

“But Izzy has to die, in order to conquer death. He’s lived with the specter of HIV/AIDS that has separated him from loving touch and the sharing of physical intimacy. He has to go into the grave to leave his disease and his queer grief behind, and to be reborn to love.”

On the cross, Jesus says, “Father, stay with me. Don’t leave me.” As he’s dying, Izzy tells Ed, “Sit with me, Eddie.” 

“I feel sick, and I think I’m supposed to. It’s supposed to hurt. Both Izzy's death and Jesus's crucifixion are supposed to be two of the realest and most awful and most beautiful things I’ve ever seen on television.”

In TLTJ, there’s an extended part of the movie where Jesus is in a kind of gravy basket. The events are all kind of odd. They involve Jesus sleeping with Mary (the reborn unicorn, free of AIDS and safe to touch). Jesus returns to his body, suffers, and dies.

TLTJ doesn’t cover Jesus’ resurrection. “We have to trust what we know of the story: that Jesus is risen, and only death itself remains in his grave.”

--

On to the next!